早餐俱乐部

剧情片美国1985

主演:艾米利奥·艾斯特维兹  安东尼·迈克尔·豪尔  约翰·卡普洛斯  贾德·尼尔森  莫利·林沃德  艾丽·西蒂  

导演:约翰·休斯

播放地址

 剧照

早餐俱乐部 剧照 NO.1早餐俱乐部 剧照 NO.2早餐俱乐部 剧照 NO.3早餐俱乐部 剧照 NO.4早餐俱乐部 剧照 NO.5早餐俱乐部 剧照 NO.6早餐俱乐部 剧照 NO.13早餐俱乐部 剧照 NO.14早餐俱乐部 剧照 NO.15早餐俱乐部 剧照 NO.16早餐俱乐部 剧照 NO.17早餐俱乐部 剧照 NO.18早餐俱乐部 剧照 NO.19早餐俱乐部 剧照 NO.20
更新时间:2023-08-16 03:25

详细剧情

本片是约翰.休斯与莫利.林沃德继《少女十五十六时》之后,再度合作的一部中学生喜剧,描写五位个性反叛的男女同学,在假期被罚留校温习功课。五人的家庭背景和性格各异,但在他们诚恳交谈之后,逐渐放开了彼此的戒心和敌意,变成了心意相通的好友。全片对年轻人的心态有相当深入细腻的描写,手法轻松幽默而具启发性,容易获得年轻观众共鸣,一群新秀演员也有贴切的演出。

 长篇影评

 1 ) 把美国高中制度总结刻画的很好~·!

《早餐俱乐部》~•个人影评•~
1985的一部老电影,偶然间在《环球荧幕》上看到了,便一发不可收拾的爱上了。值得一提的是这是青春类影片的始祖(而且《朱诺》的导演是在看了《早餐俱乐部》才萌生了拍《朱诺》的想法)。但这并不是一般意义上的青春类电影,它其实并不“单细胞”,而是深入剖析了在美国校园“等级制度”下的各种角色的真实特点和想法。

美国的高中校园一般分成5类团体:
A:运动员(sporto,校园里的明星,食物链的top)
B:拉拉队长(cheerleader/princess,女版同上)
C:朋克(punk/criminal,学校的犯罪分子)
D:书呆子(nerd,社交障碍的天才)
E:怪胎(freak,被人忽视的艺术家)


看完以后的总述:这个世界需要天才,即使他们当时被公认为是不合群的疯子,书呆子,怪胎,即使他们可能对girls束手无策。但他们以后所作出的贡献却能比得上无数个sporto宠儿,而他们也可以得到无数个cheerleader作为女友。
         生活就是这样,规矩是有成功者来定的,所以成功者是孤独的人,他们用大脑改变世界,100后仍会有人记得他们,所以今天的寂寞又算得了什么呢••••••
          每个人都在扮演着各自的角色,生活在自己的小圈子中,对圈子以外的事都不闻不问。(中国现在的学生更可怜,连圈子都没有,没人知道自己到底想成为个谁~)他们对其他人不了解,他们也不屑于了解,亦或许是美国高校这种大制度,潜移默化的规则把他们制度化了,已经没有勇气去冲破了••••••


         Princess是完美的,她们拥有令人慕羡的脸蛋儿,身材一流的运动员男友,一帮跟前跟后后的“姐妹”(只能算姐妹,不能算朋友。一帮子随时准备倒戈的将士,你能视他们为心腹吗?!)每天疯狂的闲聊与购物,只为在年终舞会上获得那个“全世界”都想要的Prom Queen。这一切的一切都无可厚非,这就是一个princess该过的生活。
         sporto是令人敬仰的明星,他们拥有数不清的大大小小的奖杯,大学奖学金的召唤,全校最美的cheerleader作为女友,他们带着一帮打手,每天盛气凌人的欺负弱者,却是全校的中心。不过在他们的内心,却始终不知道自己想要的是什么。只有他们的严厉的教练父亲会不断地在他们耳边狂吼“GO!GO!GOAL!!!”其实在心里,他们只是不知所措的孩子,大脑完全还停留在初中而已••••••这就是 sporto,是学校里的全明星,但以后呢,除了有后台的,其他的也都只有默默了•••••••
        nerd是令人感到无趣的一个族群,他们拥有的知识也许可以和一个大学生媲美了(注:是美国大学生,如果中国大学还是那么的令人堪忧的话,也许这个注解就可以永远的省了)但他们却总在别人谈论衣服和电影的时候提起量子学,微积分。一个白眼之后,成三米距离散开。在高中的这个阶段,他们缺少社交,缺少朋友。感到了许多这方面的压力(电影中说有学业的压力,可我觉得这类人一般都是天才!)可谁又能想到,当初被大家嘲笑、欺负的书呆子,今天会成为你的老板呢?!
          Freak是游走在人群之外的,他们有自己的族群,一起干着灵婆一样的事,用奇怪的方式探寻者人类和自然界的灵异之事。他们不修边幅,形象邋遢,买脑子黑色、阴郁之事。不过他们却是天生的艺术家和探险家。
          Criminal这伙孩子或哥特,或朋克,或重金属。他们是用身上的纹身和伤疤标榜着自己的特立独行,用他们黑色皮衣上的尖刺来让人敬而远之。他们只会用暴力说话,他们没有了拳头,就变成了可怜虫。蜷缩在角落。但在人们对他们恨之入骨的时候,有没有人会想起是家庭的暴力使得弱小的他们必须变得坚强。强势的他们却又是如此的脆弱与孤单。这样既COOL又残酷的人生,让他们创造了摇滚,这一股反叛却强大到足以作为精神支柱的力量•••••••用自己的伤疤谱写的旋律能不让我们为之着迷吗?!!!摇滚吧,把在纸醉金迷中过完余生~~~~•••••

           中国的校园没有这么清晰的分类(当然校园恶霸和好学生的分类当然是很清晰的,游荡于之间的同学就永远徘徊在好学生与坏学生之间)。产生这样现象的原因总的来说
1:是我们国家改革开放的晚,对世界的认知也起步也较晚。
2:职业选来选去也就那么几种,从大人那一代思想就太局限了。
3:人们对自己职业规划的意识也不强,除了大人告诉我们的当医生,当公务员,似乎世界上就再也没有更好的职位了。
4:每天只是被强调了死读书的重要,却没有人对于兴趣加以开发,所以大家一个个都像是工厂里的产品,我有的大家都有,没有区别,毫无个性••••••


           在这里祝愿大家,早日找到自己的方向,不要变成学校标准化生产的产品~!


                                                                 ~•Stammy•~
                                                                   2011.1.10

 2 ) ...And these children

"...And these children
that you spit on
as they try to change their worlds
are immune to your consultations.
They're quite aware
of what they're going through..."
David Bowie

Bender: Don't you want to hear my excuse?
Richard Vernon: Out.
Bender: I'm thinkin' of tryin' out for a scholarship.
Richard Vernon: You're not fooling anyone Bender. The next screw that falls out will be you.
Bender: Eat my shorts.
Richard Vernon: What was that?
Bender: Eat... My... Shorts.
Richard Vernon: You just bought yourself another Saturday.
Bender: Ooh I'm crushed.
Richard Vernon: You just bought one more.
Bender: Well I'm free the Saturday after that. Beyond that, I'm going to have to check my calendar.
Richard Vernon: Good, cause it's going to be filled. We'll keep going. You want another one? Just say the word say it. Instead of going to prison you'll come here. Are you through?
Bender: No.
Andrew: You ask me one more question and I'm beating the shit out of you.
Richard Vernon: That's the last time, Bender. That the last time you ever make me look bad in front of those kids, you hear me? I make $31,000 a year and I have a home and I'm not about to throw it all away on some punk like you. But someday when you're outta here and you've forgotten all about this place and they've forgotten all about you, and you're wrapped up in your own pathetic life, I'm gonna be there. That's right. And I'm gonna kick the living shit out of you. I'm gonna knock your dick in the dirt.
Bender: You threatening me?
Richard Vernon: What are you gonna do about it? You think anyone's gonna believe you? You think anyone is gonna take your word over mine? I'm a man of respect around here. They love me around here. I'm a swell guy. You're a lying sack of shit and everybody knows it. Oh, you're a tough guy. Hey c'mon. Get on your feet pal. Let's find out how tough you are. I wanna know right now how tough you are.
[offers Bender his chin]
Richard Vernon: Just take the first shot. I'm begging you, take a shot. Just one hit. Come on, that's all I need, just one swing...
[Bender pauses, staring]
Richard Vernon: That's what I thought. You're a gutless turd.
Andrew: Why do you have to insult everybody?
John Bender: I'm being honest, asshole. I would expect you to know the difference.
Claire Standish: [about her parents] I don't think either one of them gives a shit about me. It's like they use me just to get back at each other.
Allison Reynolds: [her first word of dialogue so far] Ha!
Claire Standish: [long pause] Shut up!
Claire Standish: Do you know how popular I am? I am so popular. Everybody loves me so much at this school.
Bender: Poor baby.
Bender: [after Claire kisses his neck] Why'd you do that?
Claire Standish: 'Cause I knew you wouldn't.
Claire Standish: [pause] Were you truly disgusted with what I did with my lipstick?
Bender: The truth?
Claire Standish: Yeah.
Bender: [nods] No.
Bender: Remember how you said your parents use you to get back at each other?
Claire Standish: [nods]
Bender: Wouldn't I be OUTSTANDING in that capacity?
Andrew: We're all pretty bizarre. Some of us are just better at hiding it, that's all.
Andrew Clark: What do they do to you?
Allison Reynolds: They ignore me.
Andrew Clark: Yeah... yeah.
Claire Standish: You know why guys like you knock everything?
John Bender: Oh, this should be stunning.
Claire Standish: It's because you're afraid.
John Bender: Oh God, you richies are so smart, that's exactly why I'm not heavy into activities.
Claire Standish: You're a big coward.
Brian Johnson: I'm in the math club.
Claire Standish: See, you're afraid that they won't take you, you don't belong, so you have to just dump all over it.
John Bender: Well, it wouldn't have anything to do with you activities people being assholes, now would it?
Claire Standish: Well, you wouldn't know, you don't even know any of us.
John Bender: Well, I don't know any lepers, but I'm not going to run out and join one of their fucking clubs.
Andrew Clark: Hey. Let's watch the mouth, huh?
Brian Johnson: I'm in the physics club too.
John Bender: Excuse me a sec. What are you babbling about?
Brian Johnson: Well, what I had said was I'm in the math club, uh, the latin, and the physics club... physics club.
John Bender: Hey, Cherry. Do you belong to the physics club?
Claire Standish: That's an academic club.
John Bender: So?
Claire Standish: So academic clubs aren't the same as other kinds of clubs.
John Bender: Ah... but to dorks like him, they are. What do you guys do in your club?
Brian Johnson: Well, in physics we... we talk about physics, properties of physics.
John Bender: So it's sorta social, demented and sad, but social. Right?
Allison Reynolds: You have problems.
Andrew Clark: Oh, I have problems?
Allison Reynolds: You do everything everyone tells you to do and that is a problem.
Andrew Clark: Okay, fine, but I didn't dump my purse out on the couch and invite everyone into my problems.
Brian Johnson: Dear Mr. Vernon, we accept the fact that we had to sacrifice a whole Saturday in detention for whatever it was we did wrong. But we think you're crazy to make an essay telling you who we think we are. You see us as you want to see us... In the simplest terms, in the most convenient definitions. But what we found out is that each one of us is a brain...
Andrew Clark: ...and an athlete...
Allison Reynolds: ...and a basket case...
Claire Standish: ...a princess...
John Bender: ...and a criminal...
Brian Johnson: Does that answer your question?... Sincerely yours, the Breakfast Club.
Bender: [as Mr. Vernon leaves the library] That man... is a brownie hound.
Richard Vernon: Why is that door closed? WHY IS THAT DOOR CLOSED?
Andrew: Speak for yourself.
Bender: Do you think I'd speak for you? I don't even know your language.
[to himself, crawling above some acoustic ceiling tiles]
Bender: Naked blonde walks into a bar with a poodle under one arm, and a two-foot salami under the other. The bartender says, I guess you won't be needing a drink. Naked lady says...
[the ceiling gives way]
Bender: Oh, *shit*.
Bender: You know how you said before, how your parents use you to get back at each other? Wouldn't I be outstanding in that capacity?
John Bender: Screws fall out all the time, the world is an imperfect place.
[Claire is doing Allison's make-up]
Claire: You know, you look a lot better without all that black shit under your eyes.
Allison Reynolds: Hey, I like all that black shit... Why are you being so nice to me?
Claire: Because you're letting me.
Allison Reynolds: Your middle name is Ralph, as in puke, your birth date's March 12th, you're 5'9 and a half, you weigh 130 pounds and your social security number is 049380913.
Andrew Clark: Wow. Are you psychic?
Allison Reynolds: No.
Brian Johnson: Well, would you mind telling me how you know all this about me?
Allison Reynolds: I stole your wallet.
Claire Standish: He's just doing it to get a rise out of you. Just ignore him.
John Bender: Sweets. You couldn't ignore me if you tried. So... so. Are you guys like boyfriend-girlfriend? Steady dates? Lovers? Come on, sporto, level with me. Do you slip her the hot beef injection?
Claire Standish: Go to HELL.
Andrew: Enough.
Richard Vernon: Hey. What's goin in there? Damn pricks.
John Bender: So... So, are you guys boyfriend/girlfriend? Steady Dates? Lov-ers? Come on, Sporto, level with me. Do you slip her the hot beef injection?
Claire Standish: GO TO HELL.
Andrew Clark: ENOUGH.
Richard Vernon: Hey. What's going on in there?
[whispering]
Richard Vernon: Damn pricks.
Andrew Clark: If I lose my temper you're totaled, man.
John Bender: Totally?
Andrew Clark: Totally.
Claire Standish: I hate it. I hate having to go along with everything my friends say.
John Bender: Does Barry Manilow know that you raid his wardrobe?
Richard Vernon: Well, well. Here we are. You have exactly eight hours and fifty-four minutes to think about why you're here. You may not talk, you will not move from these seats. Any questions?
John Bender: Yeah. Does Barry Manilow know that you raid his wardrobe?
Richard Vernon: [Andrew laughs at Bender's backtalk] You think he's funny? You think this is cute? You think he's "bitchin," is that it? Let me tell you something. Look at him - he's a bum. You want to see something funny? You go visit John Bender in five years. You'll see how goddamned funny he is.
John Bender: Don't you ever talk about my friends. You don't know any of my friends. You don't look at any of my friends. And you certainly wouldn't condescend to speak to any of my friends. So you just stick to the things you know: shopping, nail polish, your father's BMW, and your poor, rich drunk mother in the Caribbean.
Claire Standish: SHUT UP.
John Bender: And as far as being concerned about what's gonna happen when you and I walk down the hallways of school together, you can forget it cuz it's never gonna happen. Just bury your head in the sand and wait for your fucking prom.
Allison Reynolds: I don't have to runaway and live in the street. I can runaway and I can go to the ocean, I can go to the country, I can go to the mountains. I could go to Israel, Africa, Afghanistan.
Brian Johnson: I'm a fucking idiot because I can't make a lamp?
John Bender: No. You're a genius because you can't make a lamp.
Allison Reynolds: I'll do anything sexual. I don't need a million dollars to do it either.
Claire Standish: You're lying.
Allison Reynolds: I already have. I've done just about everything there is except a few things that are illegal. I'm a nymphomaniac.
Claire Standish: Lie.
Brian Johnson: Are your parents aware of this?
Allison Reynolds: The only person I told was my shrink.
Andrew Clark: And what did he do when you told him?
Allison Reynolds: He nailed me.
Claire Standish: Very nice.
Allison Reynolds: I don't think that from a legal standpoint what he did can be construed as rape, since I paid him.
Claire Standish: He's an adult.
Allison Reynolds: Yeah, he's married too.
Claire Standish: Do you have any idea how completely gross that is?
Allison Reynolds: Well, the first few times...
Claire Standish: The first few times? You mean you did it more than once?
Allison Reynolds: Sure.
Claire Standish: Are you crazy?
Brian Johnson: Obviously she's crazy if she's screwing a shrink.
Allison Reynolds: Have you ever done it?
Claire Standish: I don't even have a psychiatrist.
Allison Reynolds: Have you ever done it with a normal person?
Claire Standish: Didn't we already cover this?
John Bender: You never answered the question.
Claire Standish: Look, I'm not going to discuss my private life with total strangers.
Allison Reynolds: It's kind of a double edged sword isn't it?
Claire Standish: A what?
Allison Reynolds: Well, if you say you haven't, you're a prude. If you say you have you're a slut. It's a trap. You want to but you can't, and when you do you wish you didn't, right?
Claire Standish: Wrong.
Allison Reynolds: Or are you a tease?
Andrew Clark: She's a tease.
Claire Standish: I'm sure. Why don't you just forget it.
Andrew Clark: Oh, you're a tease and you know it. All girls are teases.
John Bender: She's only a tease if what she does gets you hot.
Claire Standish: I don't do anything.
Allison Reynolds: That's why you're a tease.
Claire Standish: OK, let me ask you a few questions.
Allison Reynolds: I already told you everything.
Claire Standish: No. Doesn't it bother you to sleep around without being in love. I mean, don't you want any respect?
Allison Reynolds: I don't screw to get respect. That's the difference between you and me.
Claire Standish: It's not the only difference I hope.
John Bender: Face it, you're a tease.
Claire Standish: I'm NOT a tease.
John Bender: Sure you are. Sex is your weapon. You said it yourself. You use it to get respect.
Claire Standish: No, I never said that she twisted my words around.
John Bender: What do you use it for then?
Claire Standish: I don't use it period.
John Bender: Oh, are you medically frigid or is it psychological?
Claire Standish: I didn't mean it that way. You guys are putting words into my mouth.
John Bender: Well, if you'd just answer the question.
Brian Johnson: Why don't you just answer the question?
Andrew Clark: Be honest.
John Bender: No big deal.
Brian Johnson: Yeah answer it.
Andrew Clark: Answer the question, Claire.
John Bender: Talk to us. Every one: C'mon, answer the question. Come on. Answer it.
John Bender: C'mon, it's easy. It's only one question.
Claire Standish: NO I NEVER DID IT.
Allison Reynolds: I never did it either. I'm not a nymphomaniac. I'm a compulsive liar.
Allison Reynolds: [after Andrew says he would drive to school naked for one million dollars] I'd do that. I'll do anything sexual, and I don't need a million dollars to do it either. I'm a nymphomaniac.
Andrew: [after Claire has given Allison a makeover] What happened to you?
Allison Reynolds: Why? Claire did it... What's wrong?
Andrew: Nothing's wrong... it's just so different, you know? I can see your face.
Allison Reynolds: Is that good or bad?
Andrew: It's good.
John Bender: Being bad feels pretty good, huh?
John: Hey, how come Andrew gets to get up? If he gets up, we'll all get up, it'll be anarchy.
Brian Johnson: Chicks cannot hold their smoke, dat's what it is.
John: I just wanna know how one becomes a janitor because Andrew here is very interested in pursuing a career in the custodial arts.
John Bender: Well, Brian, this is a very nutritious lunch. All the food groups are represented. Did your mom marry Mr. Rogers?
Brian Johnson: Uh, no. Mr. Johnson.
Andrew Clark: You don't have any goals.
John Bender: Oh but I do.
Andrew Clark: Yeah?
John Bender: I wanna be just like you. I figure all I need, is a lobotomy and some tights.
Brian Johnson: You wear tights?
Andrew Clark: No I don't wear tights. I wear the required uniform.
Brian Johnson: Tights.
Andrew Clark: Shut up.
John Bender: Sporto.
Andrew Clark: What?
John Bender: You get along with your parents?
Andrew Clark: Well, if I say yes I'm an idiot, right?
John Bender: You're an idiot anyway. But if you say you get along with your parents, well, you're a liar too.
Richard Vernon: Don't mess with the bull, young man. You'll get the horns.
Richard Vernon: What if your home... what if your family... what if your *dope* was on fire?
John Bender: Impossible, sir. It's in Johnson's underwear.
Bender: [after putting his head between Claire's legs under the table] It was an accident.
Claire Standish: You're an asshole.
Bender: Sue me.
John Bender: What's in there?
Claire Standish: Guess? Where's your lunch?
John Bender: You're wearing it.
Claire Standish: You're nauseating.
John Bender: [pointing to Claire's lunch] What's that?
Claire Standish: Sushi.
John Bender: Sushi?
Claire Standish: Rice, raw fish, and seaweed.
John Bender: You won't accept a guy's tongue in your mouth, and you're going to eat that?
Claire Standish: Can I eat?
John Bender: I don't know. Give it a try.
John Bender: But face it. You're a neo maxi zoom dweebie, what would you be doing if you weren't out making yourself a better citizen?
Andrew: What do you need a fake I.D. for?
Brian: So I can vote.
John Bender: Uh, Dick? Excuse me; Rich. Will milk be made available to us?
Andrew Clark: We're extremely thirsty, sir.
Claire Standish: I have a really low tolerance for dehydration.
Andrew Clark: I've seen her dehydrate, sir. It's pretty gross.
Allison Reynolds: When you grow up, your heart dies.
John: So, who cares?
Allison Reynolds: I care.
Richard Vernon: You think about this: when you get old, these kids - when *I* get old - they're going to be running the country.
Carl: Yeah.
Richard Vernon: Now this is the thought that wakes me up in the middle of the night. That when I get older, these kids are going to take care of me.
Carl: I wouldn't count on it.
Claire Standish: What's your name?
John Bender: What's yours?
Claire Standish: Claire.
John Bender: Claire?
Claire Standish: Claire. It's a family name.
John Bender: Oh, it's a fat girl's name.
Claire Standish: Oh, thank you.
John Bender: You're welcome.
Claire Standish: I'm not fat.
John Bender: Well not at present, but I can see you really pushing maximum density. See I'm not sure if you know this, but there are two kinds of fat people: there's fat people that were born to be fat, and there's fat people that were once thin but became fat... so when you look at 'em you can sorta see that thin person inside. You see, you're gonna get married, you're gonna squeeze out a few puppies and then, uh...
[John Bender is absently tearing up books]
Andrew Clark: That's real intelligent.
John Bender: You're right. It's wrong to destroy literature. It's such fun to read. And
[examines title]
John Bender: Moe-Lay really pumps my nads.
Claire Standish: Moliere.
John Bender: Stupid, worthless, no good, goddamn, freeloading son of a bitch. Retarded, big mouth, know-it-all, asshole, jerk. You forgot ugly, lazy and disrespectful. Shut up bitch. Go fix me a turkey pot pie. No dad, what about you? Fuck you. No dad, what about you? Fuck you. Dad, what about you? Fuck you.
Brian Johnson: Is that for real?
John Bender: You wanna come over sometime?
John Bender: [Vernon has just left the library after giving John two months of detention and insulting him in the process] FUCK YOU!
John Bender: I like those earings, Claire.
Claire Standish: Shut up.
John Bender: Are those real diamonds, Claire?
Claire Standish: Shut up.
John Bender: I bet they are. Did you work for the money to buy those earings?
Claire Standish: Shut your mouth.
John Bender: Or did your Daddy buy those for you?
Claire Standish: [shouts] Shut up!
John Bender: I'll bet he bought those for you. I bet those were a Christmas gift. You know what I got for Christmas? Oh, it was a banner fucking year at the old Bender family. I got a carton of cigarettes. The old man grabbed me and said, "Hey, smoke up Johnny." Alright? So go home and cry to your Daddy. Don't cry here, okay?
John Bender: [to Vernon] Keep your fuckin' hands off me! I'd expect better manners from you, Dick.
Richard Vernon: What was that ruckus?
Andrew Clark: Uh, what ruckus?
Richard Vernon: I was just in my office and I heard a ruckus.
Brian Johnson: Could you describe the ruckus, sir?
Andrew: Yo wastoid, you're not gonna blaze up in here.
[as Bender prepares to urinate under his desk]
Andrew Clark: Hey, you're not urinating in here, man.
John Bender: Don't talk. Don't talk. It makes it crawl back up.
John Bender: YOU ARE A BITCH.
Claire Standish: Why? 'Cause I'm telling the truth, that makes me a bitch?
John Bender: NO. 'Cause you know how shitty that is to do someone, and you don't got the balls to stand up to your friends and tell them you're gonna like who you wanna like.
John Bender: Hey, homeboy, what do you say we close that door, we'll get the prom queen impregnated.
John Bender: You know what I got for Christmas this year? It was a banner fuckin' year at the old Bender family. I got a carton of cigarettes. The old man grabbed me and said "Hey. Smoke up Johnny."
Brian's mom: Now is this the first time or the last time you do this to me?
Brian Johnson: Last.
Brian's mom: Now get in there and use the time to your advantage.
Brian Johnson: Mom, we're not supposed to study, we just have to sit there and do nothing.
Brian's mom: Well mister, you figure out a way to study.
Brian's sister: Yeah.
Bender: [running through the halls singing] I wanna be an airborne ranger / I wanna lead a life of danger / Before the day I die / There's five things I wanna ride / Bicycle, tricycle, automobile / Vernon's mother and a ferris wheel...
[Richard Vernon places magazine rack in front of door to hold it open]
John Bender: That's very clever, sir. But what if there's a fire? I think violating fire codes and endangering the lives of children would be unwise at this juncture in your career, sir.
Principal Richard Vernon: The next time I have to come in here I'm crackin' skulls.
Claire Standish: Why didn't you want me to know that you are a virgin?
Brian Johnson: Because it's my business - my personal business.
John Bender: Well, Brian, it doesn't sound like you're doing any business.
John Bender: My impression of life at Big Bri's house, "Son?" "Yeah, Dad?" "How was your day, son?" "Great, Dad. How's yours?" "Super. Say, how would like to go fishing this weekend?" "Great, Dad. But I got homework to do." "That's okay, son. You can do it on the boat." "Gee." "Hon, isn't our son swell?" "Yes, dear. Isn't life swell?"
[kiss]
John Bender: [after Claire flips him off] Oh, obscene finger gestures from such a pristine girl.
Richard Vernon: What did you wanna be when you were young?
Carl: When I was a kid, I wanted to be John Lennon.
Richard Vernon: Carl, don't be a goof. I'm making a serious point here.
Bender: Claire, you wanna see a picture of a guy with elephantitis of the nuts? It's pretty tasty.
Claire: No thank you.
Bender: How does he ride a bike?
Bender: Oh Claire, would you ever consider dating a guy who looked like this?
Claire: Can't you just leave me alone?
Bender: I mean even if he had a nice personality and a cool car... although you'd probably have to ride in the backseat because his nuts would ride shotgun
Andrew: I said, leave her alone.
Bender: You gonna make me?
Andrew: Yeah.
Bender: You and how many of your friends?
Andrew: Just me. Just you and me. Two hits. Me hitting you. You hitting the floor. Anytime you're ready, pal.
Bender: [running through the halls singing] I wanna be an airborne ranger / I wanna lead a life of danger / Before the day I die / There's five things I wanna ride / Bicycle, tricycle, automobile / Virgin's mother and a ferris wheel...
Richard Vernon: You ought to spend a little more time trying to make something of yourself and a little less time trying to impress people.
Bender: You're kind of sexy when you're angry.
Andrew Clark: So... what's your poison?
[no answer]
Andrew Clark: ... Ok, forget I asked.
[first lines]
Allison Reynolds: Vodka.
Andrew Clark: Oh yeah? How much vodka do you drink?
Allison Reynolds: Tons.
John Bender: [after Claire performs her lipstick trick]
[Claps sarcastically]
John Bender: Wow, Claire. That was great. My image of you is totally blown.
Allison Reynolds: You're a shit. Don't do that to her, you swore to God you wouldn't laugh.
John Bender: Am I laughing?
Andrew Clark: [shouts angrily] You fuckin' prick!
John Bender: What do you care what I think anyway? I don't even count... Right? I could disappear forever and it wouldn't make any difference. I might as well not even exist at this school, remember?
[Turns to Claire]
John Bender: And you... don't like me anyway.
Bender: You load up, you party.
Brian Johnson: Uhh, no, actually, we dress up.
Carl: I am the eyes and ears of this institution, my friends!

 3 ) You see us as you want to see us.

       在公众号上看到推送,就立马看了 。虽然80年代自己未曾感受过,但是之前美剧《金色年代》就已真切地把那个年代的美国展现在我眼前,这部电影亦是如此。熟悉的舞蹈,熟悉的音乐,好玩的发型,好玩的服装。
       刚开始没多久,我就在想,难道这帮人一个半小时就一直呆在这阅览室吗?岂不是很无趣?没想到的是,这部可以说由对话构成的电影确实成功抓住了我的眼球。
       5个少年,那样的不同却又那样的相似。从他们每一个人身上我都能看到自己的影子。书呆子的成绩,公主的生活,运动员的体魄,小痞子的不羁,怪咖的自由,似乎都曾经是我追求或是我正追求的。同样,在我的学习生活中,我似乎也能找到与之对应的人,存在与世无争的学霸,高高在上的公主,万众瞩目的运动员,爱闯祸的小痞子,看不透的怪咖。电影所讲的是80年代的,但它确实是跨越时代的。我始终觉得能够让人产生共鸣的电影绝对不会差。
       看之前,看到所给的标签是喜剧,没想到越往后泪点满满。
       我开始静下来思考,自己是否活在了所谓标签下?
       我是一个什么样的人?
       我是否活出了我希望的样子?
       我想,正在寻找答案。
       “You see us as you want to see us, in the simplest terms, in the most convenient definitions. But what we found out is that EACH one of us is a brain, an athlete, a basket case, a princess, and a criminal. Does that answer your question? Sincerely yours, The Breakfast club.”

 4 ) 青春期

从幼年步入成年,那是一个幼稚到成熟,单纯到复杂,天真到深虑,翻天覆地的过程。
那是,一个重塑世界观,人生观的过程。
 
每个人,面临的是对自己固有常识的质疑,颠覆,重建,这是一个无比浩大的工程。
也伴随着迷惑,艰辛,痛苦,这对一个孩子来说,太难了。
 
所以,父母在其中的作用尤其明显。因为父母是经历过青春期的人,父母是最亲近的人。
 
但是,很多事实却被证明恰恰相反。很多成年人,在顺利经历过青春期之后,对自己的所作所为,感到自卑,不屑,甚至是耻辱。
他们甚至,极端地认为自己的孩子千万不应该去经历这种混沌的过程。
 
可是,如果没有经历青春期的磨炼,孩子们的生理和心理,又怎么达到成熟。
难道,你认为,你的责骂和强迫及填牙式教育,可以让孩子一下从幼年跨越到成年吗?
这是无比荒谬的。
 
青春期的孩子,一边执着着童话,一边接触着现实。如何完成这种过渡,是拥有经验的父母们必须注重,不得不注重的。
 
千万千万,别把自己的简单的自以为是随意扔给孩子们。只有耐心,善意,开放,容忍式的教育和引导。才能将一个孩子真正养大成人!

 5 ) The Breakfast Club

Definitely a classic. When 5 students with different backgrounds and status in their high schools get pitted together on a saturday detention they each learn a little about each other and themselves. The library in the movie acts as a force that unite them and also as a barrier to the outside world that they are so tired of. They all discover that they are a little bit like each other, but can't really be true to themselves because of the typical conventions of high school. All of us were once one of them, and it must be funny for any of us to think back and really consider why we once thought and acted like one of the characters.

 6 ) 并非一部青春电影

    最后,罪犯还是与公主分离。

    最后,神经病还会变回神经病。

    最后,书呆子还是那个帮啦啦队长和足球队长写作业的底层人民。

    最后的最后,这场发生在周六的比惨大会就变得什么都不是了。


    阶级依然存在,他们都心知肚明。
    五个人无论在老师的心中,还是自己的心中,怎样都是那个角色。小公主,神经病,罪犯,运动员和书呆子。根深蒂固的角色观念,让他们自己都不允许和不与自己一个阶级的人做朋友,更何况还有其他人异样的眼光。
    要用发展的眼光来看待事物的话,就没有多少乐观主义了。细细回味一下,是不是有一种命运论和不可操控力的调调?每个人发着他们该发的言,流着他们该流的泪,收拾东西走出大门以后,这段短暂的友情,不,也许用建立在优越感上的同情心就会随风而去。
    记住,公主会为神经病打扮的原因,就是她心知肚明,神经病怎么样都不会比她漂亮。
    《地狱派对》里说的没错,这他妈的就是一邪典电影。

 短评

影片最后他们五个人有了一次成长,内心得到了释怀,并结交成朋友,而戏外的我,看完影片也喜欢上了这五个人——书呆子、运动员、神经病、公主和罪犯。而在每个人青春成长的道路上,你总会不时遇到这些人,或许嗤之以鼻,避而远之,但其实跟他们接触了解后,你会发现他们其实比所谓的“正常人”更可爱。

10分钟前
  • 有心打扰
  • 推荐

那音乐~!!!!简直了!!!

13分钟前
  • kelet
  • 推荐

少年都怕变成自己的父母,成年人都觉得小孩子搞乱了世界。“当你长大,你的心就死了。”

14分钟前
  • 哪吒男
  • 推荐

You see us as you want to see us, in the simplest terms, in the most convenient definitions. But what we found out is that EACH one of us is a brain, an athlete, a basket case, a princess, and a criminal. Does that answer your question? Sincerely yours, The Breakfast Club.

19分钟前
  • 力荐

他们义愤填膺地抱怨父母忽视自己、扭曲自己的三观、没有好好教养自己 并且信誓旦旦地保证自己长大后绝不会成为父母这样的人。然而在讨论下周一重遇大家该不该成为朋友时 又开始心口不一闪烁其词——这样说一套做一套的无耻行为不就是前一分钟自己所不齿的家长所为吗?他们开始更深一步理解“When you grown up your heart dies”的无奈 是啊 他们讨厌这样的自己 但又无可奈何无能为力去改变 多年后 公主病依旧娇纵跋扈 运动员只能靠蛮力博取前途 书呆子跳不出书本 怪胎依旧找不到朋友 而混混依旧是在学校可有可无的垃圾败类。在这种迷惘的境况中能否探索取得自己所渴望的青春岁月?噢!——成功了便是自由 否则 则是现实。

24分钟前
  • 黄悦_
  • 推荐

最有趣的彩蛋大概是,十多年前校园年度人物照片上的脸,正是现在的学校清洁工。我们曾想成为很酷的大人,又或是说不想成为那样的大人,回头才发现自己娃已经摇摇头说“你逊爆了”。一代一代轮回,苍天不曾饶过谁。

25分钟前
  • 砚小朵™
  • 还行

细腻骚动,一天功夫,在图书馆内,书呆子,神经病,运动狂,公主病,罪犯,五个人叛逆的人,从互相看不起,到讲讲真心话,就成了朋友。结交朋友靠大麻,舒缓情绪靠摇滚,互相亲近靠性,美国小孩们,真幸福。

26分钟前
  • 内陆飞鱼
  • 力荐

80年代真是又酷又直达人心!要思想有思想,要青春有青春,要偶像有偶像,要音乐有音乐。John Hughes真是太懂青春期,太宠爱Molly了。这就是一出清谈剧,那些扯开小伤口伤自尊的疼痛才是真正的青春期清谈。鬼气森森的freak女Alison太可爱了,无论扮相动作怪声音,最后还是逃不过为悦己者容的……农妇妆

31分钟前
  • jagpumpkin
  • 推荐

85年!1985!开始我觉得相当的无聊,当他们在一起开聊的时候,当他们慢慢的透露他们的内心的时候,我开始明白这部电影为什么会影响美国80年代人!这也可以更好的理解为什么豆瓣小组“父母皆祸害”或者《麦田里的守望者》这样的叛逆和迷茫。因为对他们来讲,成长更多是残酷的。8.3

34分钟前
  • 巴喆
  • 推荐

When you grown up, your heart dies.美帝社会等级确实有点过于鲜明了,早餐俱乐部这种宅/怪/坏/体/美的混搭型友谊在咱读书时比比皆是啊。五人成两对,依然是书呆子泡不到妞,政治太不正确了!

37分钟前
  • kylegun
  • 推荐

话好多…然后非得凑两对cp我也是醉了

39分钟前
  • 爱幻想的小孩
  • 还行

有很多人相信,短暂地禁食有益于身体健康。因此,很多宗教以及地方习俗中都有“斋戒”的做法,即在某段时期减少或停止饮食。斋戒在英语中是 fast 。斋戒期结束后吃的第一餐就叫做 breakfast ,字面意思就是“终止斋戒”。由于这一餐通常是在早晨吃的,所以后来 breakfast 就变成了“早餐”的英语叫法。

41分钟前
  • 恶魔的步调
  • 力荐

想看了多年的电影。五个互不认识的叛逆高中生周六被罚在图书馆禁闭,他们在不断的冲突和交流中发现原来大家都在成长中迷失了自己。每个角色都在最后变得立体真实个性鲜明。只是结局欠妥,Allison的爱情显得刻意,之前老师和清洁工的谈话也略显突兀。总的来说是喜欢。

44分钟前
  • TORO VAN DARKO
  • 推荐

校园的阶级真可怕,真实残酷无法动摇,这么多年了,却一直没有消失。

46分钟前
  • 虾坨坨艺仔
  • 推荐

青春期最大的问题永远是家庭

50分钟前
  • 王大根
  • 推荐

羞辱女性和刻板印象就这样堂而皇之成了拒绝规训的扮酷反叛青春模板,甚至还爱上了???不就是吊桥效应吗,sucks,从根里就烂掉了

53分钟前
  • deeralice
  • 很差

真正的好戏在正片的一个小时后开启,在有限的空间和时间内营造妙语连珠对白的剧场式电影典范。【——我们以后会像自己的父母吗?——绝不会。——那是无法避免的,它就是会发生。】当你长大,你的心就死了。谁在乎?我在乎。大爱“早餐俱乐部”全体成员前后给老师送上的那封信,尽显青春的飞扬不羁。

58分钟前
  • 游牧人·芳汀
  • 还行

everybody is weird系列,整个电影都在学校的图书馆拍完,几乎可以说是个话唠片,但在我看来处处击中要害啊!约翰休斯的电影都是这样,其实都谈不上有反派人物(这里孩子们口中的父母几乎都不算有出现),是纯粹的青春——只有青春时的我们,才会那么容易受伤,又那么容易从伤痛里恢复

1小时前
  • 米粒
  • 力荐

新浪潮的Simple Minds,新浪潮的叙述。我们就是书呆子,暴徒,运动员,神经病和小公主!~奥斯卡上麦考利.金向已故的天才致敬,看的我热泪盈眶

1小时前
  • Andor-Genesis
  • 力荐

Alison变装后好像挤牛奶的农妇

1小时前
  • 勤劳的小蜘蛛
  • 推荐

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